Traduzione e analisi delle parole tramite l'intelligenza artificiale ChatGPT
In questa pagina puoi ottenere un'analisi dettagliata di una parola o frase, prodotta utilizzando la migliore tecnologia di intelligenza artificiale fino ad oggi:
- come viene usata la parola
- frequenza di utilizzo
- è usato più spesso nel discorso orale o scritto
- opzioni di traduzione delle parole
- esempi di utilizzo (varie frasi con traduzione)
- etimologia
Cosa (chi) è Williams$91992$ - definizione
.jpg?width=200 "Bert Williams in 1902")
![Bert Williams in [[blackface]]](https://commons.wikimedia.org/wiki/Special:FilePath/Bert Williams blackface 2.jpg?width=200 "Bert Williams in [[blackface]]")
![Adah Overton Walker]], and Bert Williams in ''[[In Dahomey]]'' (1903), the first Broadway musical to be written and performed by African Americans](https://commons.wikimedia.org/wiki/Special:FilePath/In Dahomey 1903.jpg?width=200 "Adah Overton Walker]], and Bert Williams in ''[[In Dahomey]]'' (1903), the first Broadway musical to be written and performed by African Americans")
![Williams (left) & Walker, on the 1903 cover to the sheet music for "I'm a Jonah Man" (from the musical ''[[In Dahomey]]'')](https://commons.wikimedia.org/wiki/Special:FilePath/WilliamsWalkerJohnahMan.jpg?width=200 "Williams (left) & Walker, on the 1903 cover to the sheet music for \"I'm a Jonah Man\" (from the musical ''[[In Dahomey]]'')")
Wikipedia
Bert Williams (November 12, 1874 – March 4, 1922) was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914.
He was by far the best-selling Black recording artist before 1920. In 1918, the New York Dramatic Mirror called Williams "one of the great comedians of the world."
Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first black person to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as "the funniest man I ever saw—and the saddest man I ever knew."
